The work invites reflection on the contemplation of landscapes, returning to the romantic appreciation of the 19th century through a slow‑moving plane on which the only variations are those of natural light. Despite the contemplative presence of a woman, the true protagonist of the work is the act of watching itself. Also evoked is the figure of the traveler, an important agent in landscape painting and an advocate for gratuity, teleological negation, and pure visual exploration.
