Waléria Américo’s experimentations create tension between issues that permeate the body, architecture, and landscape. In Pendular, the force of the body turns the action of dragging a piano into a rhythmic operation. The instrument articulates a cadency between the possible and the impossible, reverberating a topical sonority. The action oscillates through the pendulum motion and the conflict arises in the duel between two lines that oppose one another, but that can also join forces or go into communion.
