A speaker delivers sound both audibly and visibly, with the camera revealing the minute vibrations of its cone (Hill refers to the cloth covering of the speaker as a 'skin'). The artist proceeds to bury, puncture, burn, and drown the audio speaker in an effort to physically alter the sound coming out of it, the sound of his own voice. Each experiment explores the confluence of sound, image, and text, suggesting a kind of concretized poetry or ‘electronic linguistics.’
