Due to the elections for the Lebanese parliament in 2000, the walls of Beirut were covered with posters of smiling candidates. The artist registers the juxtaposition of posters that take over the urban landscape. Two people are filmed scraping a wall covered with layers of posters, until all is left are strips of paper and fragments of faces: a mouth, an eyebrow, a pair of glasses. The result is an amalgam of faces, in which noses and ears appear in unexpected places. On these scraps of peeled posters and these faces that accumulate one over the other, we come across a disruption of the organic view of the body, metaphorically refering to a social and political fragmentation.
