The exhibition featured 80 videos selected from the Video Data Bank, then one of the United States’ leading production companies, with a collection of 2,000-plus titles, which used to host screenings at the most unusual locations, such as Chicago’s drive-in theaters.
The exhibition program was divided into eight different series.
artists
- Annette Barbier
- Ant Farm
- Antoni Muntadas
- Ardele Lister
- Arturo Cubacub
- Arturo Toscanini
- Barbara Latham
- Beth Berolzheimer
- Bill Seaman
- Bob Rosen
- Bob Snyder
- Branda Miller
- Candace Reckinger
- Carol Porter
- Carole Ann Klonarides
- Cecelia Condit
- Chip Lord
- Daniel Klepper
- Daniel Reeves
- Dara Birnbaum
- Doug Hall
- Edward Rankus
- Eleanor Antin
- Hermine Freed
- Hildegard Kurt
- Ilene Segalove
- Isaac Cronin
- Jesse Rosser
- Joan Jonas
- Joan Logue
- Joan Merril
- John Manning
- Judith Barry
- Karl Hauser
- Liza Béar
- Lyn Blumenthal
- Lynda Benglis
- Margia Kramer
- Mark Fisher
- Mark McKernin
- Marshall Reese
- Matthew Geller
- Max Almy
- Michael Smith
- Miroslaw Rogala
- Mitchell Kriegman
- Norman Yonemoto
- Pier Marton
- Rose Lesniak
- Sid Caesar
- T.R. Uthco
- Teddy Dibble
- Terrel Seltzer
- Vito Acconci
- Wayne Fielding
- William Wegman
- Woody Vasulka
Works
- Mixed EmotionsAnnette Barbier, 1983
- The Eternal FrameAnt Farm, Doug Hall, T.R. Uthco, 1976
- Political Advertisement: 1956-84Antoni Muntadas, Marshall Reese, 1984
- HellArdele Lister, 1976
- The National AnthemArturo Toscanini
- AlienNATIONBarbara Latham, Edward Rankus, John Manning, 1980
- Lectra Nancy Side A, Side BBeth Berolzheimer, Karl Hauser, Wayne Fielding, 1981
- S.HEBill Seaman, 1983
- Ellis IslandBob Rosen, Meredith Monk, 1982
- Lines of ForceBob Snyder, 1979
- Trim SubdivisionsBob Snyder, 1981
- L. A. NickelBranda Miller, 1983
- Band-Aid CommercialBrooklyn Television Center, Diamant Library
- Impala CommercialBrooklyn Television Center, Diamant Library
- Kleenex CommercialBrooklyn Television Center, Diamant Library
- Marlboro CommercialBrooklyn Television Center, Diamant Library
- Remington CommercialBrooklyn Television Center, Diamant Library
- Westinghouse Commercial, Part IBrooklyn Television Center, Diamant Library
- Lip SyncBruce Nauman, 1969
- Spalding Gray's Map of L.ABruce Yonemoto, Norman Yonemoto, 1984
- Impossible LoveCandace Reckinger, 1983
- Out With the GirlsCarol Porter, Joan Merril, 1984
- R. M. Fisher - An IndustrialCarole Ann Klonarides, Michael Owen, 1983
- Beneath the SkinCecelia Condit, 1981
- Sons and FathersDaniel Klepper, 1984
- AmidaDaniel Reeves, 1983
- Damnation of Faust: EvocationDara Birnbaum, 1983
- Technology/Transformation: Wonder WomanDara Birnbaum, 1978
- Songs of the 80'sDoug Hall, 1984
- Naked DoomEdward Rankus, 1983
- The Little Match Girl BalletEleanor Antin, 1975
- Art HerstoryHermine Freed, 1974
- Learn Where the Meat Comes FromHildegard Kurt, 1976
- The Mom TapesIlene Segalove , 1974
- Call It sleepIsaac Cronin, Terrel Seltzer, 1982
- Love CannibalJesse Rosser, 1980
- Double Lunar DogsJoan Jonas, The C.A.T. Fund, 1984
- 30 Second Spots: Laurie Anderson; John Cage; Tony Ramos; Carles SantosJoan Logue, 1982
- You Too Can Win Over DepressionJohn Caldwell, 1980
- Spine/timeJohn Sturgeon, 1982
- Casual ShopperJudith Barry, 1982
- The DoubleKen Feingold, 1984
- Oued Nefifik: A Foreign MovieLiza Béar, 1982
- Female SensibilityLynda Benglis, 1973
- Freedom of Information Tape 1: Jean SebergMargia Kramer, 1980
- Go for it, MikeMark Fisher, Michael Smith , Mike & Mark Productions , 1984
- P.I. PieceMark McKernin, 1983
- Losing: A Conversation with the ParentsMartha Rosler, 1977
- Windfalls or New Thougts on ThinkingMatthew Geller, 1982
- DeadlineMax Almy , 1981
- Living the 20th CenturyMax Almy , 1982
- Modern Times: Modern MarriageMax Almy , 1979
- Perfect LeaderMax Almy , 1983
- SpeechMiroslaw Rogala, 1982
- My NeighborhoodMitchell Kriegman, 1983
- Unity Through StrengthPier Marton, 1982
- Manhattan Poetry Video Project: Allen Ginsberg's Father Death Blues; Bob Holman's Rapp It Up; Anne Waldman's Uh-Oh Plutonium! Rose Lesniak, 1984
- Your Show of Shows: Dating in AmericaSid Caesar, 1954
- Let It BeSteina Vasulka, 1972
- KCPT Tapes: If Looks Could Kill; The Sound of Defiance; Practice Makes Perfect; A Scar-y StoryTeddy Dibble, 1984
- Open BookVito Acconci, 1981
- Human SkeletonWayne Fielding, 1983
- Selected Body Works: Crooked Finger; Cartoon Faces; Born With No Mouth; Deodorant; Bubble UpWilliam Wegman, 1972
- Selected Body Works: StomachWilliam Wegman, 1972
- The CommissionWoody Vasulka, 1983
Curator's text Tadeu Jungle
VIDEO. production companies are born. production explodes. the audience digs it. styles consolidate. BRAZIL 86. the artists shoot in every direction. they have drunk in CINEMASZ and the soap opera shown at 8, 7, 6, 5, ZERO! FAIL! there’s no way to air the product. the sensitive video gets no sunlight. it fails to achieve $ucce$$. small circles, festivals & exhibitions. greetings from PT. PMDB, PDS, PDT, PX, PY, POWER? none. living in the embryonic age. sticks, stones, tiles and shards of glass outline the unlikely.
we know nothing about international videographic production. there is no access to publications. the higher education schools provide lower education. carelessness. the demise of a modus kulturalis.
we need to know. what was done. ABC. ezra pound. III videobrasil brought a low amount of information. we need to know.
here we have shown close to 80 American videos. they provide a timeline of what thos artists have done. obtained via chicago’s VIDEO DATA BANK, which holds 2000 titles in its archive, OPEN TO THE PUBLIC of the planet. the programs are group into SERIES: ‘inventing the day-to-day,’ ‘new narrative strategies,’ ‘body politics,’ ‘modern life,’ ‘living the 80s,’ ‘the fiction of science,’ and ‘the science of fiction.’ facilitating a critical view of the various forms of action/reaction in video.
the latter two series present a MIX of art and TV, alternating between slow/fast, simple/complex, low/high vibrating videos. on september 7, 84, VDB showed these two series at a mammoth drive-in theater in chicago. 10,000 people on a summer night took off on a trip into super-post televisual fiction, sticks, stones.
the AMERICAN CONTEMPORARY VIDEO EXHIBITION happens in the name of information. food for alternatives. the search for OXYGEN continues. receiving and broadcasting. FREE INFORMATION FLOW.