Tha artist creates live audiovisual performance and media installation that aims to break up narrative and linear constructs. She started making electronic installations in Adelaide, in the 70's, when she experimented with super 8 film, slides and sounds of the body. She moved to Sydney to study Sculpture, Film and Sound and graduated in the early 80's from Sydney College of the Arts. Since then, she has pursued her fascination with the body, the writings of Antonin Artaud, ritual, sound and film extending into installation of herself. She is interested in the interface being used to 'cut up the narrative' to distort and fragment recollection of the past to create a synthesis of memory that borders on the bizarre, super real and corrupted imagination. Debra has exhibited widely in Australia and Overseas and has been commissioned for her sound works, including Tracey Moffett's Nightcries and Tess Dequincey's Nerve 9. She is a part time lecturer in Time Based Art and a freelance Sound and Visual Designer/Sequencer as well as Director and Producer.