Male figures tell stories of homosexual relationship breakups, building incomplete accounts of love, violence and loss, interspersed with footage of a street carnival and of the chaotic urban traffic, shot with portable cameras. The video combines staple formal procedures from the artist’s videography – the asynchronous audio and image and the interpolation of long shots and fast sequences – with the fragmentation of accounts and alternating narrative foci, a procedure that outlines its characters, more so than delineating them. The metamorphic compositions, like the mouth that changes into a butterfly, underscore the erasure of boundaries between fantasy and lived experience.