The work was inspired by a scene from the film Butch Cassidy and the Sundance Kid, reproducing in a single, slow panoramic shot the moment in which the American bandits are surrounded by the Bolivian police. The near‐inert scene creates an effect of anxiety that underscores the holes in the narrative and reinvents its dynamics. As in earlier works, Joskowicz addresses the basic elements of classical cinematographic language.
Awards
- 17th Festival | Southern Panoramas | 17th FestivalArtistic Residency Prize - Sacatar - Itaparica, Brazil