As she pets her dog, the artist tells him off for not knowing anything about contemporary art. In motherly tone, she urges the dog to acquaint himself with the major names in the history of contemporary art, such as Robert Smithson and Marina Abramovic, whose faces appear on screen as animated vignettes like those out of educational TV shows. The monologue pokes fun at the institutionalization of artistic practice and the belief in historical perspective as a prerequisite for contemporary production in art, or its fruition.
