Three screens show long takes, in which the camera movements take part in a choreographed, five-people performance, set in a typical urban scenery. Using a triptych, evocative of a pictorial model, and references to classic theater, the work defies the notion of limit: the actors and the screens act independently or as a unit, the script swings from first to third person. The artist exploits the tensions between uniformity and difference, collective and individual, neutral discursive forms and subjective expression.
