In a neo-concrete setting, sheets of cellophane leave the plane’s rigidity behind and project themselves three-dimensionally in space. The sensory realm is activated by the hypnotic methodology of capturing action, supported by visuality, sound, and movement. This performance-based register references key names from Brazilian art history, like Hélio Oiticica and Lygia Clark. Based on this frame of references, Cass builds a new construct, with his particular structuring of body and space.
