The work deconstructs the formation of tradition-bound identities, addressing the historical roots of ceramics as it travels from ancient Egypt to Persia, through Mesopotamia, China, Russia, Europe and Britain, taking viewers on a journey narrated from an inhuman viewpoint that questions the co-optation of identity political agendas by nationalist political agendas. It explores possible futures within a transnational discourse through the prism of quantum physics and technology, seeking new paths for humanity in crisis.