The series shows public execution squares in three Syrian cities: Aleppo, Lattakia and Damascus. The photos were shot early in the morning, when executions usually take place, revealing a fragile paradox between the quiet, peaceful and perennial spaces, and the turbulence of the political and social realities that inhabit them—and by which they are eclipsed. The photographs thus denounce the continuous and hidden presence of hanging bodies, while highlighting and stamping in the memory the evidence that, at the moment, there is no death in the square.
