The concert-performance reinterprets some of the most important works created by Eder Santos and includes the live participation of musician Paulo Santos – with whom he had already worked in Passagem de Mariana (1996), Pincélulas (1998) and Concerto para pirâmide, orquestra e sacrifício (2001) –, of artist Stephen Vitiello and of performer Ana Gastelois. The work creates a live fusion of drawing, graphism, gesture and dance, making allusion to procedures that are common in Santos’ work with electronic image and in which this image is often used to intersect and potentiate the visual and scenic possibilities of performing acts – in music, singing, dance, poetry and theater. The work was commissioned by Associação Cultural Videobrasil.