In Panorâmica 01, panoramic photographs of São Paulo landscapes quickly follow one another, like in the projection of a cinematographic film. In order to achieve this result, the artist built a pinhole camera with 24 orifices, allowing her to register the same framing in over a dozen different points of view, thus emulating the position of an observer-researcher in their Faustian desire to apprehend reality in its entirety. The work is part of the series ERBF – Estação Radiobase Fotográfica (2005–2009), whose fictional premise is the existence of a city consisting only of transmission antennas.