"The Antirom Performance", by Antirom | Performance | 12º Festival
Two computers control the continuous merging of sounds and graphic images. Live characters explore the dynamics of the audiovisual sequences.
performances
"Home of the Page", by Lefdup & Lefdup | Performance | 12º Festival
Musicians, dancers, webmasters, DJs and other characters interact with TV screens and computers connected to the Web.
performances
"Música de amor", by Tetine | Performance | 12º Festival
The performance uses narrative text and video to explore the kitsch aspect of romantic love and passionate outbursts like hate, envy and sensuality.
performances
"Eletrobrecht", by Tetine| Performance | 12º Festival
A spoken narrative based on Brecht's play Setsuan's Good Soul is superimposed to a sonorous background. Film and archive footage are show on a video screen.
performances
"Communion - Le Partage des peaux II", de Isabelle Choinière | Performance | 11º Festival
Digitalized images of the performer’s body are projected onto a screen as she moves, with the help of sensors spread over her legs, arms, and torso.
performances
"Videomoita", de Otávio Donasci | Performance | 10º Festival
A balloon-character, whose expressions were produced by video monitors, hovered above the Sesc Pompeia Sports Complex.
performances
"VideoTaxiGirls", by Otávio Donasci | Performance | 9º Festival
A couple of rolling store mannequins with TV monitors for heads can be invited to dance by members of the audience. All they have to do is pay the gigolo in charge of the video and sound systems.
performances
"Videomáscaras", by Otávio Donasci | Performance | 9º Festival
Performance in which video-sails are transformed into giant faces using three-dimensional video projections.
performances
"Midiotauro", by Otávio Donasci | Performance | 9º Festival
Based upon the Greek legend of the Minotaur, the performance involved a videocreature with an ox’s head and two monitors for eyes.
performances
"Videotauro", by Otávio Donasci | Performance | 3º Festival
A horse with a 20-inch TV monitor for a head roamed the streets of São Paulo’s Bixiga neighborhood
performances