Solange Farkas on Metropolis | 11th Festival

In an interview to TV Cultura, the Festival director breaks out the news on the 1996 edition, including the e-catalog, the Phot-in-progress show, and the daily performance programming

in review

Event’s coverage on TV Cultura | 10th Festival

The 1994 Festival coverage presents the competitive show figures: 239 video submissions, 27 shortlisted, and the winners were Janaúba, Diástole, Tereza, and Captain Cardozo

in review

Event’s coverage on TV Cultura | 09th Festival

The coverage featured the highlights of the 1992 Festival’s closing day, including the debate “10 questions for 100 Brazilians,” focusing on Brazilian TV; Roberto Muylaert was one of the participants

in review

Event’s coverage on TV Cultura | 9th Festival

The coverage of the 9th Festival, in 1992, featured the preparations leading up to the event, highlighting the increased number of foreigners in the competitive show, and a few international guests, such as Jean-Paul Fargier and Bill Viola.

in review

Gabriel Priolli & Solange Farkas on Metrópolis show | 6th Festival

Interview on TV Cultura show about the changes for the upcoming edition of the Festival, and the new phase of professionalization in video

in review

Anti-Christo, by José Roberto Aguilar | 4th Festival

In the opening performance of the 1986 Festival, José Roberto Aguilar unwraps the MIS in a “gaze-unveiling” act. Coverage by TV Cultura

performances

Solange Farkas on TV Cultura | 4th Festival

In an interview to the journalist Luciano Ramos, Farkas gives an overview of the 1986 Festival and lists a few ideas for the upcoming edition

in review

The Paths of TV and Video in Brazil (2) | 2nd Festival

Second debate of the 1984 1984, focusing on independent productions (audio ceded by MIS-SP Collection)

public programs

Solange Farkas on Dia news program | 6th Festival

Interview granted to film critic Edmar Pereira on TV Cultura’s news program, in 1988

in review

Festival’s 1st edition discussed by artists and producers

A meeting with the Festival’s organizers and artists, recorded at the MIS-SP studios in 1983, presents an overview and the perspectives for the subsequent edition (audio ceded by MIS-SP Collection)

public programs