The artist presents and comments on his work El Museo Imposible de las cosas vivas Departamento de Integración pan-continental (área de contacto triangular), which took part in the exhibition Southern Panoramas | Selected Artists as part of the 19th Festival. The installation unfolds like a tangled discursive and visual web about the territorial and maritime dispute between Chile and Peru. Like an archaeological action, Shwafaty gathers images, documents and other items related to the conflict, while displaying openness to fictional strategies.