In 1972, the implosion of the housing project Pruitt-Igoe, in St. Louis, was deemed a milestone for the end of modern architecture in the United States. Comprised of 33 buildings, the Pruitt-Igoe had been inaugurated in 1954 as a solution for the issue of popular housing in the city, but eventually turned into an instrument of social and racial segregation. Made up of archival images of the project, Superbloques shows the Pruitt-Igoe’s implosion and the previous days, when few residents had remained, amidst broken windows and abandoned spaces. An ironic commentary on the social situation surrounding the project, the song Superbloque, by Simón Diaz, tells the story of a woman’s prejudice against the poetic persona, which lives in one of the buildings.