On twin screens, two war tanks pursue each other across atemporal and deserted landscapes. As they never actually engage, their war loses all meaning. Developed as military training equipment, the tanks are radio‑controlled prototypes here converted into children’s toys, mere electronic trash. Filmed as if by army cameras, the images are stripped of all reference of scale. The result is an ironic take on military firepower, questioning the limits between the real and the constructed image.
