La Traición de Judas was conceived as a moving painting, inspired on the Renaissance altars. It matches icons from western religiosity with ironic anachronism. The thme of this installation is treachery, seeing as the archetype of human behavior. Nicolau visualizes the biblical myth of Judas' treachert through six simultaneous sequences: The Last Supper, The Blackmail, Gethsemani, Prision, Poncius Pilatos and Still Life.
