Visual artist. She holds a degree in architecture from the School of Architecture of the Federal University of Minas Gerais (1986), in fine arts from the Guignard School (1987), and a doctorate degree in arts from the School of Communications and Arts of the University of São Paulo (1997). One of the first Brazilian artists to move photography from the two-dimensional field to the territory of artistic installation, Rennó addresses questions about the nature of image, its symbolic value and its depersonalization process. In her photographs, objects, videos and installations, she appropriates and gives visibility to an anonymous assemblage of photographs and negatives found in antique fairs, family albums, newspapers and archives. She has participated in the Biennials of Johannesburg (1997), São Paulo (1994, 1998 and 2010), Istanbul (2003) and Venice (1993 and 2003); in addition to such exhibitions as América Latina 1960–2013, Fondation Cartier, Paris (2014), and Cruzamentos: Contemporary Art in Brazil, Wexner Center for the Arts, Ohio (2014), Chosen Memories, Contemporary Latin American Art, Museum of Modern Art MoMA New York (2023). Her latest solo exhibitions include Sur les ruines de la Photographie (Les Recontres de la Photographie, Arles, 2023), Pequena Ecologia da Imagem, Estação Pinacoteca (São Paulo, 2021). She was born in Minas Gerais and lives in Rio de Janeiro.