Due to the exhibition Tomorrow Everything Will Be Alright, Akram Zaatari makes a statement about some notions that guide his production at least since the late nineties. He reflects upon the exhibition cut that gathers works never before exhibited in Brazil with others from Associação Cultural Videobrasil's Historical Archive, which amounts to nearly twenty years of production of the Lebanese artist, laying down a guideline in which desire is perceived as central element in individual's relationship with the world. He also talks about the importance that the experience of time has acquired in his works, which are increasingly on the boundary between photography and moving picture.
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