Wesley Duke Lee | 9th Festival
To Wesley Duke Lee, the artist must intervene if video is to become something more than just "a bunch of hardware that is good for nothing..."
testimonies
Gianni Toti | 9th Festival
One of the people honored at the 1992 edition, Gianni Totti discusses the roles of artist and of art. To him, art is the chaotic beginning at which order and power are made to contradict each other
testimonies
Eduardo Coutinho | 9th Festival
The filmmaker presents his perspectives on video and documentary in Brazil, discusses the notion of authorship, and television productions
testimonies
Bill Viola | 9th Festival
“All technological breakthroughs affect my work,” explains Bill Viola. The notion of perception is central to the artist’s work, and the body is the key with which one connects with the world
testimonies
Amaral Netto | 9th Festival
Amaral Netto discusses the independent news report produced for TV, and the notion of truth in the reporter’s work
testimonies
Event’s coverage on TV Cultura | 09th Festival
The coverage featured the highlights of the 1992 Festival’s closing day, including the debate “10 questions for 100 Brazilians,” focusing on Brazilian TV; Roberto Muylaert was one of the participants
in review
Event’s coverage on TV Cultura | 9th Festival
The coverage of the 9th Festival, in 1992, featured the preparations leading up to the event, highlighting the increased number of foreigners in the competitive show, and a few international guests, such as Jean-Paul Fargier and Bill Viola.
in review
Santa Clara Poltergeist, by Fausto Fawcett | 9th Festival
Fausto Fawcett’s irreverence spawned one of the pioneering performances of the Festival, presented in 1992 and featuring a polyphony of music, bodies, and images.
performances
Behind the scenes | 8th Festival
The Behind the Scenes features of the 8th edition gave an overview of the Festival’s 1990 program, which ushered in a new phase of internationalization of video in the country, now that the medium was consolidated.
making of & recordings
November 14, 1990 | 8th Festival
On its final day, Videojornal collected statements from artists and curators on the South-North relationship, including the Dutch Tom van Vliet, then director of the World Wide Video Festival
making of & recordings